It turns out that the heroes of this tale are already undercover in this grotesque establishment, and they destroy all of its employees in an increasingly grotesque fashion. "The Big 4" opens with one of its best scenes as Tjahjanto reminds us of his horror background by dropping viewers into an orphanage used to harvest organs for rich people. "The Big 4" is way too long and talky, but you feel its impact when it explodes. It's like The Three Stooges with bazookas. Even though they're just as carefully considered, they maintain something closer to slapstick. Tjahjanto's films have a more reckless energy to them. Critics have often compared well-choreographed action in films like "The Killer" or " John Wick" to ballet, films where every movement feels precisely considered for the best impact. Tjahjanto believes in a chaotic, comedic approach to action filmmaking, which reached its career peak for him in the riveting "The Night Comes for Us," a big enough hit for Netflix that they asked the madman to make another action extravaganza and he delivered "The Big 4," a shoot-'em-up with its director's unmistakable flair for the ridiculous. I remember being a kid and hearing someone say that the best action movies show you something you've never seen before and you're not sure is even possible. Indonesian director Timo Tjahjanto makes movies that embrace the absurd potential of filmmaking.
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